yooook provides for any kind of professional digital or digitizable creation:
|Hosting content, manage access globally and on a case-by-case basis.||Setup the logistical components into innovative business models. Components fill up a funding gauge, for liberating content and/or copyright.||Whether you are only using the logistics, or planning an advanced use of the funding gauge, you can call upon our services at any time:
|Licensing: manage your copyright globally and on a case-by-case basis.|
|Pressing CD/DVD/Vinyl and mail order. Per unit, limited or massive edition.|
|E-banking: pay and get paid (micropayment, donation, buy, income, etc…).||(contact at the bottom of the page)|
Once a content lies in the open on the Internet, any control of its copy becomes impossible. This dismisses remuneration models based on a per copy sale after the content's release.
To remedy this yooook has invented a funding system placed before the release, where we still control the content. The more money comes in the gauge, the more new content is released. Thus, anyone in the public is likely to look after the smooth progress of the funding.
Because of this principle, yooook rehabilitates the efficiency of payments based on a per copy basis (on some portions of content only, and during the critical funding period). Indeed, given that it's in everyone's that the other ones pay too, a self-control over copy imposes itself within the public.
yooook facilitates classic contract closing: between right holders and professionals willing to be granted specific rights (broadcasters, distributors, creators, etc…).
This traditional activity is financially decisive. However, today's stake is to cover new markets fostered by the use of Internet. Typically, there is a high demand from the public for sharing and/or remixing rights over content. This demand is so high that the absence of supply in terms of rights does not prevent anything, rather it results in a background of illegal sharing and remixing. And, as mentioned in the downloading key: we can't control theses activities. What can be controlled is only its legality.
In consequence, yooook has invented a system that allows the copyright to evolve along with the funding: the more money comes into the gauge, the more right(s) can be granted to the public via global contracts (licenses). In this process again, the public is likely to look after the smooth progress of the funding, in order to get new right(s).
Nowadays, traditional distribution methods remain the most profitable. In this perspective yooook automates the pressing of CD/DVD/Vinyl. The right holder uploads the content and chooses the disk's price. From there yooook handles the pre-orders, manufacturing and shipping.
This flexibility allows to match all tastes and budgets: rare, value-added or cheap products.
Furthermore, within the framework of an advanced funding gauge (see the downloading and licensing keys), the disk's business model becomes incentive again and no longer negatively impacted by the downloads during the critical funding period.
Donations are always welcome, but professionals cannot make a living out of charity. In light of this, yooook has invented the liberator status that gratefully rewards and motivates donors by giving them certificates, première access, autographs, backstages passes or any other imaginable goodies.
Furthermore, donations carry a more interesting weight within the framework of an advanced funding gauge (see the downloading and licensing keys) since they become the most direct component for the rapid progress of a funding gauge.